Benjamin Walton is a University Senior Lecturer in the Faculty of Music, and Fellow and Director of Studies in Music at Jesus College.
He studied at the universities of Cambridge (BA 1994) and Sussex (MA 1995), before moving to the University of California, Berkeley for his doctoral research, where he completed a dissertation on musical culture in Paris during the 1820s. He held the Kathleen Bourne Junior Research Fellowship at St Anne’s College, Oxford (2000-2), before taking up a lectureship in Music at the University of Bristol. He joined the Faculty at Cambridge in 2006.
His research interests centre on the social and cultural history of music during the nineteenth century. His recent work has focused on musical transnationalism in the first half of the century, with an emphasis on touring opera troupes beyond Europe, on the reception of Gioachino Rossini and Vincenzo Bellini, and on the idea of the ‘Twin Styles’, represented by Rossini and Beethoven, in the historiography of European music.
His monograph, Rossini in Restoration Paris: The Sound of Modern Life, was published by Cambridge University Press in 2007, and a collection of essays entitled The Invention of Beethoven and Rossini, co-edited with Nicholas Mathew, is forthcoming from the same publisher. In 2013, he will take up a British Academy Mid-Career Fellowship, in order to write a book about the first operatic troupe to go round the world.
Recent and current PhD students have worked on opera in Milan during the 1860s (Carlos del Cueto), music in French New Wave cinema (Denice McMahon), and musical culture in Berlin around 1800 (Katherine Hambridge).
Rossini in Restoration Paris: The Sound of Modern Life (Cambridge University Press, 2007)
The Invention of Beethoven and Rossini, co-edited with Nicholas Mathew (Cambridge University Press, forthcoming)
Academic Articles and Book Chapters
The Professional Dilettante: Ludovic Vitet and Le Globe, in Roger Parker and Mary Ann Smart, Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848, (Oxford: Oxford University Press, 2001), 69-85
“‘Quelque peu théâtral’: The Operatic Coronation of Charles X”, 19th-Century Music 26/1 (Summer 2002), 3-22
“Looking for the Revolution in Rossini’s Guillaume Tell“,Cambridge Opera Journal 15/2 (July 2003), 127-51
[Winner of the 2004 Royal Musical Association Jerome Roche Prize "for a distinguished article by a scholar in the early stages of his or her career".]
“Rossini and France”, in Emanuele Senici, ed., The Cambridge Companion to Rossini, (Cambridge: Cambridge University Press, 2004), 25-36
“Romantic Opera”, in Michael Ferber, A Companion to European Romanticism (Oxford: Blackwell, 2005), 522-37
Introduction, annotation and edition of Joseph d’Ortigue, ‘Frantz Liszt’ for Christopher H. Gibbs and Dana Gooley, eds., Liszt and His World (Princeton: Princeton University Press, 2006), 303-34
‘Rara avis or fozy turnip: Rossini as Celebrity in 1820s London’, in Tom Mole, ed., Romanticism and Celebrity Culture (Cambridge: Cambridge University Press, 2009)
‘Rossini in Sudamerica’, Bollettino del Centro Rossiniano di Studi 51 (2011), 111-36
‘Italian Operatic Fantasies in Latin America’, Journal of Modern Italian Studies 17/4 (2012), 460–471; also in Portuguese as ‘Fantasias operísticas italianas na América Latina’, Atualidade da Ópera, Série Simpósio Internacional de Musicologia da UFRJ, ed. Maria Alice Volpe (Rio de Janeiro, 2012)
Articles for CDs
‘The Creation of La straniera’, Bellini, La straniera, Opera Rara ORC38 (2008)
‘The Sound of the Pirate’s Voice’, Bellini, Il pirata, Opera Rara ORC45 (2011)
in British Journal of Aesthetics, 19th-Century Music Review, Cambridge Opera Journal and Journal of the American Musicological Society.
Dictionary entries for New Grove Dictionary of Music and Musicians and New Oxford Companion to Music.
Programme notes for the Royal Opera House, Edinburgh International Festival, Gran Teatre del Liceu Barcelona, Wexford Festival and Opera Rara
Pre-concert talks for Glyndebourne Touring Opera, Edinburgh Festival, South Bank Centre, BBC Proms
Reviews for Opera magazine, mundoclasico.com
Contributions to The Real History of Opera, BBC Radio 4 and Chopin: The Women Behind the Music, BBC4.