I was born and grew up in Florence, where I studied Art, Music and Performing Arts at the University of Florence and piano at the Scuola di Musica di Fiesole, before moving to the UK to pursue my MMus (2010) and PhD (2014) at King’s College London. Since 2014, I’ve been a junior research fellow at St John’s College.
My research interests lie in various aspects of nineteenth-century operatic culture: opera’s relationship with political and urban developments (particularly in Italy); transnational and global networks of production and consumption; and the place of singers and voice in celebrity culture. My doctoral work explored discourses about Verdi in Milan during 1859–81, as part of a larger cultural history of the city. More recently, I’ve pursued a case study of Jenny Lind in mid nineteenth-century London, focusing on how her voice was ‘mediated’ in and through the contemporary celebrity craze.
My current book project looks at political and cultural dimensions of opera in northern and central Italy between the 1850s and the early 1870s (a period usually identified with a national operatic ‘crisis’ in the country). I’m particularly interested in investigating how such dimensions were shaped by exchanges and connections between different places, at both a trans-municipal and a transnational level.
As a recipient in 2016 of the Parma Rotary Club ‘Giuseppe Verdi’ International Prize, I’m also glad to have an opportunity to continue my Verdi research, yet now engaging with approaches from sound and media studies. In my new project, I’ll retrace ways of hearing and listening to Verdi c. 1840-1930, with case studies including Verdi and/as ‘noise’ in the 1840s, the soundscape of Aida, and the political reverberations of Francesco Tamagno’s stentorian voice.
Since 2016, I have been a member of the Leverhulme-funded interdisciplinary research network ‘Re-imagining italianità: opera and musical culture in transnational perspective’, based at UCL and with further members at Cambridge, Brown University and Universidade Estadual de Campinas. Please do get in touch or visit https://www.ucl.ac.uk/centre-transnational-history/research-and-publications/re-imagining-ita if you’d like to find out more!
Departments and Institutes
‘Jenny Lind, Voice, Celebrity’, Music & Letters, 98/2 (2017) [forthcoming].
‘Milan, Simon Boccanegra and the Late-Nineteenth-Century Operatic Museum’, Verdi Perspektiven, 1 (2016), 93–121.
‘Bridging Divides: Verdi’s Requiem in Post-Unification Italy’, Journal of the Royal Musical Association, 140/2 (2015), 313–42.
‘Verdi and Politics (c. 1859-1861)’, Studi verdiani, 24 (2014), 79–121.
‘Verdi’s Don Carlo as Monument’, Cambridge Opera Journal, 25/1 (2013), 75–103.
‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191–200.
Verdi, Opera, Women. By Susan Rutherford (review), Opera Quarterly (forthcoming, 2017).
Opera and Modern Spectatorship in Late Nineteenth-Century Italy. By Alessandra Campana (review), Nineteenth-Century Music Review (forthcoming, 2017).
Experiencing Verdi: A Listener’s Companion. By Donald Sanders (review), Music & Letters, 95/3 (2014), 462–4.
Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848. By Francesco Izzo (review), Music & Letters, 95/4 (2014), 662–4.