24 January
Robert Adlington (University of Nottingham)
‘Louis Andriessen, musical quotation and aesthetic autonomy, circa 1968′
31 January
Monique Ingalls (University of Cambridge)
‘Bringing Worship to the Streets: Performing Nation, Religion, and Ethnicity through Music in Toronto’s Jesus in the City Parade’
7 February
Paul Higgins (National University of Ireland, Maynooth)
‘Britten and Intertextuality: Text and Musical Unity in Art Song’
14 February
Colin Timms (Birmingham University)
‘How far can you go? Observations on Editing Handel and Arne’
21 February
Juniper Hill (University of Cambridge)
‘Ideology, pedagogy and community as inhibitors or enablers of creativity’
28 February
Felix Wörner (University of North Carolina at Chapel Hill)
‘On the Significance of ‘Form’ and ‘Formung’ as Contrasting Principles in Early Twentieth Century German Music Theory’
6 March
Simon Goldhill (CRASSH)
‘The Chorus, Opera and German Philosophy’
13 March
Mark Slobin (Wesleyan University)
‘The Three Architectures of Film Music’
