Colloquia Lent Term 2017
Faculty of Music Colloquia
Lent term 2017
The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished speakers from the UK and abroad. Colloquia are held on Wednesday evenings in the Recital Room of the Faculty of Music, West Road. Admission is free and all are welcome. Please arrive at 4.50pm for a 5.00pm start. Papers are followed by a discussion and a drinks reception with the speaker.
Wednesday, 18 January 2017
5.00pm, Recital Room, Faculty of Music
Lydia Goehr
Columbia University
'Expressing what exists is an endless task': On instruments of the arts and instruments of thought. (A lecture on music, philosophy, and painting)
Wednesday, 25 January 2017
5.00pm, Recital Room, Faculty of Music
Martin Stokes
King’s College, London
Notes and Queries on 'Global Music History'
Wednesday, 1 February 2017
5.00pm, Recital Room, Faculty of Music
Ben Winters
Open University
Musical Materiality and the Film Scores of Erich Korngold
Wednesday, 8 February 2017
5.00pm, Recital Room, Faculty of Music
Mark Evan Bonds
University of North Carolina, Chapel Hill
The Composer as Method Actor
Wednesday, 15 February 2017
5.00pm, Recital Room. Faculty of Music
Rachel Adelstein
University of Cambridge
Avot v’imahot: Women, Voice, and Music in British Synagogues
Wednesday, 22 February 2017
5.00pm, Recital Room, Faculty of Music
Matthew Machin-Autenrieth
University of Cambridge
Musical Memories of al-Andalus: Cultural Diplomacy and Moroccan Immigration in Andalusia
Wednesday, 1 March 2017
5.00pm, Recital Room Faculty of Music
Katherine Hambridge
Durham University
Popularising the ‘Popular’
Wednesday, 8 March 2017
5.00pm, Recital Room, Faculty of Music
George E. Lewis FBA
Columbia University
Wort Lecture: Benjamin Patterson’s Spiritual Exercises
Wednesday, 15 March 2017
5.00pm, Recital Room, Faculty of Music
George E. Lewis FBA
Columbia University
Wort Lecture: Expressive Awesomeness: New Music and Art in Chicago, 1965–75