13 October
Dorottya Fabian (University of New South Wales, Sydney/ University of Cambridge)
Sound Recordings as a Chronicle of Performance Style: Trends and Individual Artistic Signatures in Playing Solo Bach on the Violin
18 October (Wort Lecture Series)
Ingrid Monson (Quincy Jones Professor of African American Music, Harvard University)
Being Musical and Other Dilemmas
20 October (Wort Lecture Series)
Ingrid Monson (Quincy Jones Professor of African American Music, Harvard University)
Mali’s Neba Solo: Music from an African Village in the Digital Age
27 October
Alexander Goehr (University of Cambridge) and James Conway English Touring Opera
Promised End, English Touring Opera and Frank Kermode
3 November
Kate Kennedy (University of Cambridge)
Ambivalent Englishness: Ivor Gurney’s Song Cycle ‘Ludlow and Teme’
10 November
Naomi Waltham-Smith (City University London)
Haydn Prophet, or Beethoven Apostle? On Fidelity to Badiou’s Event
17 November
Carlos del Cueto (University of Cambridge)
Listening in 1860s Milan
24 November
John Deathridge (King’s College London)
Beethoven’s ‘Fidelio’ and the Trouble with Freedom
1 December
Dean Sutcliffe (University of Auckland, New Zealand)
Haydn and the Shapes of Sociability
