23Oct | Academy of Ancient Music |
Ibragimova directs Symphonies and Concertos by Haydn and MozartHaydn Violin Concerto No. 1 in C major (c. 1769) Haydn Symphony No. 45 in F sharp minor ‘Farewell’ (1772) Mozart Symphony No. 10 in G major (1770) |
23Oct | Colloquium - Daniel Müllensiefen |
Daniel Müllensiefen(Goldsmiths, University of London)The Musicality of Non-Musicians; Measuring Musical Expertise in BritainAbstract |
22Oct | Composers' Workshop |
Jeremy Dale RobertsWe are delighted to be able to host this eminent British composer whose long and varied career brought him into close contact with figures such as Vaughan Williams. Dale Roberts is a featured composer in this year’s Kettle’s Yard New Music Series. |
22Oct | Cambridge University Lunchtime Concert |
A Celebration of 20th Century British MusicIncluding Warlock's The Curlew with conductor George Parris and an ensemble of Cambridge instrumentalists. |
21Oct | Performance Network |
Performance and Cognition: Medicine, Mask, and Simulation
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21Oct | Guest Lecture and Workshop, Rafael Reina |
Contemporary Music Through Non-Western Techniques |
19Oct | CaMEO - Ideas in the Community |
Ideas in the CommunityCaMEO will be leading musical activities for all ages as part of Ideas in the Community, an event offering a taste of activities which feature in the Festival of Ideas programme from thought-provoking lectures to performances, and hands-on art sessions. |
19Oct | Conductors' Talk - Harry Spence Lyth |
SO YOU WANT TO BE A CONDUCTOR?Opportunities to conduct have always abounded at Cambridge University. Many of you discover conducting as your vocation during your studies.
Since competition is fierce, the earlier you get informed about how to approach such a career the better.
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16Oct | Colloquium - Professor Elizabeth Eva Leach |
Professor Elizabeth Eva Leach (University of Oxford)Clerical Work: finding the motet a nobler home |
15Oct | Composers' Workshop |
Richard CaustonThis will be an introductory session with the Faculty’s Lecturer in Composition, which will set out the programme and also begin the new strand in the series which will be concerned with various compositional techniques. |