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Faculty of Music

 
17Nov

Places are limited (12 per class) - please email Maggie Faultless @ mf413@cam.ac.uk to apply for a place.

You may apply for more than one session but if they are over subscribed we will need to limit availability.   

16Nov

Sounding a Queer Rebellion: LGBTI Musical Resistances in Lima, Peru

15Nov

Georgia Denham draws on a love of visual arts, anecdotal story and reimagined transcription to create her work. Thinking of music as a physical form, notation is at the core of how she sculpts and nurtures sounds.

11Nov

Places are limited (12 per class) - please email Maggie Faultless @ mf413@cam.ac.uk to apply for a place.

You may apply for more than one session but if they are over subscribed we will need to limit availability.   

08Nov
Marta Gentilucci is a composer of instrumental, vocal and electronic music. Her formal training as an opera singer influenced and formed her being a composer, as well as her attraction to the
03Nov

Places are limited (12 per class) - please email Maggie Faultless @ mf413@cam.ac.uk to apply for a place.

You may apply for more than one session but if they are over subscribed we will need to limit availability.   

02Nov

Performing Recorded Music: The Jamaican Reggae Sound System as Instrument 

01Nov

Úna Monaghan is a harper, composer, researcher and sound artist from Belfast. Her recent work has combined Irish traditional music with bronze sculpture, sound art and movement sensors. She performs with harp and electronics, and released an album of her compositions, named “For” in 2018.

26Oct

“Such Wine, such Women, such Musick”: Stuart Diplomats and the Siren Song of Italian Courtesans.

25Oct

Simon Emmerson presents examples of his live electronic music and discusses how changing technology has created new possibilities for the composer.