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Faculty of Music

 
13Nov

Handel Water Music Suite in F major 

Bach Third Orchestral Suite 

Vivaldi Recorder Concerto in C major  

Telemann Suite in A minor for Recorder and Strings

 

Cambridge University Collegium Musicum

Margaret Faultless, director

13Nov

Dr. Emily Payne, University of Leeds, 'Time, Temporality, and Expectation in Indeterminate Music: A Case Study of John Cage's Concert for Piano and Orchestra'

12Nov

Belfast born Stephen McNeff first made his name with his film noir operatic version of The Wasteland (1994) and his many scores for the Unicorn Theatre. Operatic work continued with Gentle Giant for the Royal Opera, and 2117/Hedd Wyn for Welsh National Opera.

12Nov

Messiaen Visions de l’Amen

 

Peter Asimov & Toby Hession, piano

 

TICKETS: Admission free; retiring collection

07Nov
06Nov

Mr. Jonathan Impett, Orpheus Institute, Ghent/Middlesex University, London, 'The Orpheus Institute, the Figure of the Artist-researcher and a Case Study: Music, Thought and Technology'

05Nov

Naomi Belshaw is Composer Relations and PR Executive at WildKat PR, and has expert knowledge in the fields of copyright, music royalties, funding and publishing. Here she discusses how an emerging composer can make their way in today’s rapidly changing music industry.

05Nov

Operazone Collective

 

Rameau Osiris

 

Luke Fitzgerald, director

 

TICKETS: Admission free; retiring collection

02Nov

A talk by pianist Clare Hammond 

31Oct

Following on from his popular classes on practising, Robert Cohen returns to explain how to be time efficient and highly productive, and how to find great enjoyment and satisfaction in your daily work.