skip to content

Faculty of Music

 
13Nov

In the first century after Luther’s Reformation, debates flared up time and again over perceived remnants of papist superstition. The organ frequently came under fire in Protestant spaces, representative of musical excess and overt splendour, its continued presence far from assured.

12Nov

This Workshop kickstarts the Faculty's new year-long partnership with the renowned Riot Ensemble.

06Nov

The 1970s have been described as a ‘fragile decade’ in US history: Nixon’s resignation, the decreasing popularity of the Vietnam War, waning public faith in national government, economic recession, the OPEC oil crisis, mass unemployment, economic deregulation, and the lack of fulfilment of many of the promises of the Civil Rights movement.

05Nov

Annette Vande Gorne studied at the Royal Conservatories of Mons and of Brussels, and at ULB. She has taught the history of music, harmony, piano and choral singing.

05Nov

This presentation discusses the potential use of an incidental learning procedure for acquiring music information.

04Nov

The University of Cambridge Virtual Postgraduate Open Days will be taking place from 4-15 November. As part of these Open Days, the Music Faculty will be running a session introducing the postgraduate courses offered by the Faculty of Music, followed by a Q&A.

30Oct

Ethnomusicologists have long called attention to extractive dynamics in musical cultures. But what of sound as a technology of extraction in the oil industry?

29Oct

Martin Suckling is a composer and violinist; he is also Deputy Head of the School of Arts and Creative Technologies, Professor of Composition and Head of Music at the University of York.

23Oct

For Jews all over the world, the Torah scroll is the height of holiness, framed as the carefully designed and produced word of God. Jews give great attention to the care of Torah scrolls, ensuring they are maintained and protected so that they can be used for ritually chanting the Torah portion at regular intervals.

22Oct