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Faculty of Music

 
Read more at: “Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

“Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

Wednesday, 12 June, 2024 - 17:00

What was it about the music of Chopin that haunted French intellectuals so persistently in the wake of the Second World War? A surprising number of prominent writers penned books about the composer, including Vladimir Jankélévitch, André Gide and Stravinsky’s collaborator on The Poetic of Music (1942), Alexis Roland-Manuel...


Read more at: “Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

“Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

Wednesday, 5 June, 2024 - 17:00

This paper explores the stakes of audibility and visibility for victim-witnesses of sexual assault in highly mediated trials. In the Republic of Guinea, a high-profile criminal trial is currently underway, in which survivors of sexual violence have testified against leaders of a previous regime. While the trial is being...


Read more at: “America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

“America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

Wednesday, 29 May, 2024 - 17:00

Charlotte Bentley has been a Lecturer in Music at Newcastle University since 2021, having previously held a Research Fellowship at Emmanuel College, Cambridge. Her recent research focuses on musical transnationalism, with a particular interest in the development of transatlantic and intra-American operatic networks in the...


Read more at: “Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

“Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

Wednesday, 8 May, 2024 - 17:00

What happens when colonial sound fragments are transformed through Afrofuturistic sampling, roaring praise poetry, and the visual arts? What stories and pathways link the International Library of African Music—the world's largest archive of ethnographic music in Africa—and The Black Power Station, an independent arts...


Read more at: “The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

“The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

Wednesday, 1 May, 2024 - 17:00

“My dear and well-beloved son, William Babell,” wrote bassoonist-copyist-arranger Charles Babel (d. 1716) in his will. The two must have been close: Charles trained William in the arts of performance from a young age; the two played together in major London orchestras; and together they formed part of London’s finest band...


Read more at: Verklärte Nacht, Op. 4: Depictive Text-Painting and the Birth of the “Musical Idea” - Jack Boss (University of Oregon)

Verklärte Nacht, Op. 4: Depictive Text-Painting and the Birth of the “Musical Idea” - Jack Boss (University of Oregon)

Wednesday, 6 March, 2024 - 17:00

Abstract: There has been disagreement among music scholars as to whether Schoenberg’s string sextet, Verklärte Nacht , tips the balance toward program music or absolute music. Some argue for a line-by-line correspondence with the Richard Dehmel poem that inspired the work, while others argue that Verklärte Nacht , as a...


Read more at: Chopin’s Suicidal Plan? Rethinking Failure in the Early Nineteenth-Century Non-Modulating Sonata Exposition - Anne Hyland (University of Manchester)

Chopin’s Suicidal Plan? Rethinking Failure in the Early Nineteenth-Century Non-Modulating Sonata Exposition - Anne Hyland (University of Manchester)

Wednesday, 28 February, 2024 - 17:00

Abstract Scholarly tradition reveals a preference for reading the monotonal expositions of Chopin’s early sonatas (Opp. 4, 8 and 11) as unsuccessful attempts at a more normative dual-tonal structure owing to their lack of establishment of an expected secondary key. Writing on the Op. 11 Piano Concerto, Donald Francis Tovey...


Read more at: Unveiling Sounds: Music and Commemoration in Weimar (1849–1859) - Michele Calella (University of Vienna)

Unveiling Sounds: Music and Commemoration in Weimar (1849–1859) - Michele Calella (University of Vienna)

Wednesday, 21 February, 2024 - 17:00

Abstract: When Franz Liszt took up the post of Kapellmeister of the Grand Duke of Saxe-Weimar-Eisenach in 1848, Weimar had just entered a new phase of its cultural history. The writers who had contributed to its reputation as the 'New Athens' - notably Goethe, Schiller and Herder - were increasingly stylised as the...


Read more at: Humanist Connotations and Musical Rhetoric in Qigang Chen’s Choral-Orchestral Work Jiang Tcheng Tse - Sun Yue (Shanghai Conservatory of Music)

Humanist Connotations and Musical Rhetoric in Qigang Chen’s Choral-Orchestral Work Jiang Tcheng Tse - Sun Yue (Shanghai Conservatory of Music)

Wednesday, 14 February, 2024 - 17:00

Abstract: Jiang Tcheng Tse , a choral-orchestral work composed by Qigang Chen in 2017, is based on Su Shi’s ( 蘇軾 , 1037-1101) mourning poem Jiang Cheng Zi: Yi Mao Zheng Yue Er Shi Ri Jimeng ( 江城子 · 乙卯正月二十日夜記夢 a riverside town: dreaming of my deceased wife on the 20 th night of the 1 st lunar month. After its world premiere...


Read more at: Opera Down the Line - Flora Willson (King's College London)

Opera Down the Line - Flora Willson (King's College London)

Wednesday, 7 February, 2024 - 17:00

Abstract: This is a talk about cultural connectedness in the 1890s. More than a century before what media scholar José van Dijck identifies as our own “culture of connectivity”, urban life in the West was closely entangled with infrastructural networks: of transit, media and communication. Those networks characterise “...