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Faculty of Music

 
Read more at: ‘Don’t gawp up at it!’ Listening to the organ in early Lutheranism (Dr Anna Steppler, Peterhouse)

‘Don’t gawp up at it!’ Listening to the organ in early Lutheranism (Dr Anna Steppler, Peterhouse)

Wednesday, 13 November, 2024 - 17:00

In the first century after Luther’s Reformation, debates flared up time and again over perceived remnants of papist superstition. The organ frequently came under fire in Protestant spaces, representative of musical excess and overt splendour, its continued presence far from assured. As a physical object, it was swept up...


Read more at: Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry (Professor Justin Williams, University of Bristol)

Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry (Professor Justin Williams, University of Bristol)

Wednesday, 6 November, 2024 - 17:00

The 1970s have been described as a ‘fragile decade’ in US history: Nixon’s resignation, the decreasing popularity of the Vietnam War, waning public faith in national government, economic recession, the OPEC oil crisis, mass unemployment, economic deregulation, and the lack of fulfilment of many of the promises of the Civil...


Read more at: Arts of Extraction: Oil, Digital Audio and Geo-Histories of Sound (Dr Gavin Williams, King's College London)

Arts of Extraction: Oil, Digital Audio and Geo-Histories of Sound (Dr Gavin Williams, King's College London)

Wednesday, 30 October, 2024 - 17:00

Ethnomusicologists have long called attention to extractive dynamics in musical cultures. But what of sound as a technology of extraction in the oil industry? This colloquium will explore the convergence, since the Second World War, between seismic survey and oil industries in which dynamite and air gun explosions have...


Read more at: On Organology, Tikkun and Baraka: The Venerated Lives of North African Torah Scrolls (Dr Ilana Webster-Kogen, SOAS)

On Organology, Tikkun and Baraka: The Venerated Lives of North African Torah Scrolls (Dr Ilana Webster-Kogen, SOAS)

Wednesday, 23 October, 2024 - 12:30

For Jews all over the world, the Torah scroll is the height of holiness, framed as the carefully designed and produced word of God. Jews give great attention to the care of Torah scrolls, ensuring they are maintained and protected so that they can be used for ritually chanting the Torah portion at regular intervals. North...


Read more at: Chanter la guerre during the Seven Years War (Dr Olivia Bloechl, University of Pittsburgh)

Chanter la guerre during the Seven Years War (Dr Olivia Bloechl, University of Pittsburgh)

Wednesday, 16 October, 2024 - 17:00

In this lecture, I focus more closely on singing and dancing embodiment as a site for the world-making I introduced in the first lecture. As a case study, I discuss the practice of performing Haudenosaunee-style personal war songs in negotiations to form multi-Indigenous/European military coalitions during the Seven Years...


Read more at: “Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

“Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

Wednesday, 12 June, 2024 - 17:00

What was it about the music of Chopin that haunted French intellectuals so persistently in the wake of the Second World War? A surprising number of prominent writers penned books about the composer, including Vladimir Jankélévitch, André Gide and Stravinsky’s collaborator on The Poetic of Music (1942), Alexis Roland-Manuel...


Read more at: “Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

“Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

Wednesday, 5 June, 2024 - 17:00

This paper explores the stakes of audibility and visibility for victim-witnesses of sexual assault in highly mediated trials. In the Republic of Guinea, a high-profile criminal trial is currently underway, in which survivors of sexual violence have testified against leaders of a previous regime. While the trial is being...


Read more at: “America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

“America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

Wednesday, 29 May, 2024 - 17:00

Opera’s history is a history of mobility: this much has become increasingly clear from the transnational turn that opera studies has taken over the last decade. But that focus on mobility, circulation and transnationalism has revealed opera to be a surprisingly slippery subject for study. The transformation of works on the...


Read more at: “Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

“Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

Wednesday, 8 May, 2024 - 17:00

What happens when colonial sound fragments are transformed through Afrofuturistic sampling, roaring praise poetry, and the visual arts? What stories and pathways link the International Library of African Music—the world's largest archive of ethnographic music in Africa—and The Black Power Station, an independent arts...


Read more at: “The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

“The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

Wednesday, 1 May, 2024 - 17:00

“My dear and well-beloved son, William Babell,” wrote bassoonist-copyist-arranger Charles Babel (d. 1716) in his will. The two must have been close: Charles trained William in the arts of performance from a young age; the two played together in major London orchestras; and together they formed part of London’s finest band...