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Faculty of Music

 
Read more at: Researching Provincial Musical Culture: The Life of Elizaveta Nilovna Shniukova (1892–after 1970) (Dr Julia Mannherz, University of Oxford)

Researching Provincial Musical Culture: The Life of Elizaveta Nilovna Shniukova (1892–after 1970) (Dr Julia Mannherz, University of Oxford)

Wednesday, 26 February, 2025 - 17:00

This talk focuses on a little-known choral conductor, Elizaveta Nilovna Shniukova, who was born into a peasant family in the village of Ilenskoe, Irbitskii uezd, Permskaia guberniia in 1892, received musical training in Perm’ and Ekaterinburg at the “courses of singing literacy” run by the regional society of sobriety in...


Read more at: Beethoven, Late Fascism, and Totality (Professor Naomi Waltham-Smith, University of Oxford)

Beethoven, Late Fascism, and Totality (Professor Naomi Waltham-Smith, University of Oxford)

Wednesday, 19 February, 2025 - 17:00

During the 2022 French Presidential election campaign, the extreme-right candidate Éric Zemmour released a video in which he expounded on the supposed threat posed to the Republic by “le grand remplacement,” underscored by the second movement of Beethoven’s Seventh Symphony. I do not mobilize this example to revisit well-...


Read more at: Lessons in Singing: Vocal Treatises in Britain and the Writing of Voice (Professor Susan Rutherford, University of Cambridge)

Lessons in Singing: Vocal Treatises in Britain and the Writing of Voice (Professor Susan Rutherford, University of Cambridge)

Wednesday, 12 February, 2025 - 17:00

How can the act of singing, that most common yet most mysterious of musical emanations, be communicated in words? That is surely the issue facing every author of a singing manual. In Britain, for example, all manner of treatises across the centuries from Pietro Reggio’s The Art of Singing (1677) to Margaret Watts-Hughes’s...


Read more at: A Theory of Early Twentieth-Century Harmony (Rajan Lal, Trinity College Cambridge)

A Theory of Early Twentieth-Century Harmony (Rajan Lal, Trinity College Cambridge)

Wednesday, 5 February, 2025 - 13:00

Theories of early twentieth-century harmony are legion, and often toggle between two main frameworks that alone seem insufficient to address the affluences of the period. Framework 1 views twentieth-century ‘music in transition’ as an expansion of tonal precedents set in motion by Wagner, Liszt and others. Framework 2...


Read more at: Music’s Challenges to AI Studies: Founding a New Field? (Professor Georgina Born OBE FBA, University College London)

Music’s Challenges to AI Studies: Founding a New Field? (Professor Georgina Born OBE FBA, University College London)

Wednesday, 29 January, 2025 - 17:00

A new kind of music studies is needed to analyse the influence of artificial intelligence on music. Yet music also changes how we think about AI. In this paper I take three angles on the challenges posed by AI to music and music to AI. I follow media theory in breaking down the communicative process into three analytical...


Read more at: Grappling With a Woman-Thinker: Representations of Female Pianists in the Writings of Alexei Losev (Professor Marina Frolova-Walker FBA, University of Cambridge)

Grappling With a Woman-Thinker: Representations of Female Pianists in the Writings of Alexei Losev (Professor Marina Frolova-Walker FBA, University of Cambridge)

Wednesday, 27 November, 2024 - 17:00

Тhe last third of the 19th century saw great advances in the professionalisation of female pianists in Russia. The two conservatories, founded in the early 1860s, issued their best graduates a diploma that declared them to be “free artists”. The society was highly stratified, but not rigidly so, and this new social status...


Read more at: Restoring Obrecht’s Missa Scaramella (Dr Fabrice Fitch, Royal Conservatoire of Scotland)

Restoring Obrecht’s Missa Scaramella (Dr Fabrice Fitch, Royal Conservatoire of Scotland)

Wednesday, 20 November, 2024 - 12:30

In this lecture I will present and discuss my reconstruction (or restoration) of the fragmentary Missa Scaramella by Jacob Obrecht (c.1457/8–1505). It survives uniquely in two of an original set of four part-books. Reconstructing the material of the two missing part-books (the top voice and the tenor) poses very different...


Read more at: ‘Don’t gawp up at it!’ Listening to the organ in early Lutheranism (Dr Anna Steppler, Peterhouse)

‘Don’t gawp up at it!’ Listening to the organ in early Lutheranism (Dr Anna Steppler, Peterhouse)

Wednesday, 13 November, 2024 - 17:00

In the first century after Luther’s Reformation, debates flared up time and again over perceived remnants of papist superstition. The organ frequently came under fire in Protestant spaces, representative of musical excess and overt splendour, its continued presence far from assured. As a physical object, it was swept up...


Read more at: Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry (Professor Justin Williams, University of Bristol)

Songs in the Key of Life: Stylistic Adaptation and the 1970s Music Industry (Professor Justin Williams, University of Bristol)

Wednesday, 6 November, 2024 - 17:00

The 1970s have been described as a ‘fragile decade’ in US history: Nixon’s resignation, the decreasing popularity of the Vietnam War, waning public faith in national government, economic recession, the OPEC oil crisis, mass unemployment, economic deregulation, and the lack of fulfilment of many of the promises of the Civil...


Read more at: Arts of Extraction: Oil, Digital Audio and Geo-Histories of Sound (Dr Gavin Williams, King's College London)

Arts of Extraction: Oil, Digital Audio and Geo-Histories of Sound (Dr Gavin Williams, King's College London)

Wednesday, 30 October, 2024 - 17:00

Ethnomusicologists have long called attention to extractive dynamics in musical cultures. But what of sound as a technology of extraction in the oil industry? This colloquium will explore the convergence, since the Second World War, between seismic survey and oil industries in which dynamite and air gun explosions have...