Colloquium series

Charlotte Bentley University of Cambridge New Orleans and the creation of transatlantic opera, 1819–1859 The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by...

Catherine Anne Bradley Universitetet i Oslo ‘First take your tenor’: quoting upon quotations in thirteenth-century motets The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music...

Thomas Christensen University of Chicago Scales, skulls, and Sanskrit: Fétis’s search for the origins of musical tonality The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music...

Christopher Wiley University of Surrey Reconsidering Ethel Smyth’s The boatswain’s mate as feminist opera The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by...

Jenny Mbaye City, University of London Cultivating cosmopolitics: hip h(p)op music, citizenship, and social transformation The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music...

Florian Scheding University of Bristol Angels in Paris: Hanns Eisler and migratory culture The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished...

Katharine Ellis 1684 Professor of Music, University of Cambridge (Inaugural Lecture) Looking for trouble: archives of French music history

Emma Dillon King's College London Romance of song: early trouvères and their world

William Meredith Director, Ira F. Brilliant Center for Beethoven Studies San José State University Existential interpretations: symbols and music language in Beethoven’s ‘Holy song of thanks to God from a convalescent’