Colloquium series

Two Seventeenth-century Treasure Chests: Exploring the Klagenfurt Manuscript (1685) and a small Stradivari Violin (1685)

‘We Are Protectors Not Protesters’: Reclaiming the Native Hawaiian Voice Through Music

Raquel Rojo Carillo University of Cambridge Musical analysis beyond pitch: a case study from the Old Hispanic rite The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research...

Natasha Loges Royal College of Music Performing the nineteenth-century song cycle, then and now The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by...

Karen Desmond Brandis University The newness of ars nova : sound, visualization, ontology The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished...

Suzanne Cusick New York University ‘La schiava dolente cantando’: sounding alterity, slavery and crusade politics in a Medici court entertainment On February 24, 1607, a central Italian court invited select guests to celebrate the final night of carnival at one of their palaces. Part of the entertainment was a sung and...

Michael Fend KCL, University of London The immigrant composer as state employee: Cherubini’s career in Paris in the 1790s The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music...

Ian Cross University of Cambridge Musics, selves & societies: the value(s) of music(s) The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by distinguished...

Charlotte Bentley University of Cambridge New Orleans and the creation of transatlantic opera, 1819–1859 The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music research, given by...

Catherine Anne Bradley Universitetet i Oslo ‘First take your tenor’: quoting upon quotations in thirteenth-century motets The Colloquium series is the main opportunity for members of the Faculty of Music, researchers from other departments, and the general public to come together and hear papers on all aspects of music...