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Faculty of Music

 
Read more at: On Organology, Tikkun and Baraka: The Venerated Lives of North African Torah Scrolls (Dr Ilana Webster-Kogen, SOAS)

On Organology, Tikkun and Baraka: The Venerated Lives of North African Torah Scrolls (Dr Ilana Webster-Kogen, SOAS)

Wednesday, 23 October, 2024 - 12:30

For Jews all over the world, the Torah scroll is the height of holiness, framed as the carefully designed and produced word of God. Jews give great attention to the care of Torah scrolls, ensuring they are maintained and protected so that they can be used for ritually chanting the Torah portion at regular intervals. North...


Read more at: Chanter la guerre during the Seven Years War (Dr Olivia Bloechl, University of Pittsburgh)

Chanter la guerre during the Seven Years War (Dr Olivia Bloechl, University of Pittsburgh)

Wednesday, 16 October, 2024 - 17:00

In this lecture, I focus more closely on singing and dancing embodiment as a site for the world-making I introduced in the first lecture. As a case study, I discuss the practice of performing Haudenosaunee-style personal war songs in negotiations to form multi-Indigenous/European military coalitions during the Seven Years...


Read more at: “Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

“Existentialist Chopin” (Professor Mary Ann Smart, University of California, Berkeley)

Wednesday, 12 June, 2024 - 17:00

What was it about the music of Chopin that haunted French intellectuals so persistently in the wake of the Second World War? A surprising number of prominent writers penned books about the composer, including Vladimir Jankélévitch, André Gide and Stravinsky’s collaborator on The Poetic of Music (1942), Alexis Roland-Manuel...


Read more at: “Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

“Audio-Visual Justice: Public Testimony & Vulnerable Witnesses in a Guinean Trial” (Professor Nomi Dave, University of Virginia)

Wednesday, 5 June, 2024 - 17:00

This paper explores the stakes of audibility and visibility for victim-witnesses of sexual assault in highly mediated trials. In the Republic of Guinea, a high-profile criminal trial is currently underway, in which survivors of sexual violence have testified against leaders of a previous regime. While the trial is being...


Read more at: “America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

“America, Genre, and Opera, c.1893” (Dr Charlotte Bentley, Newcastle University)

Wednesday, 29 May, 2024 - 17:00

Opera’s history is a history of mobility: this much has become increasingly clear from the transnational turn that opera studies has taken over the last decade. But that focus on mobility, circulation and transnationalism has revealed opera to be a surprisingly slippery subject for study. The transformation of works on the...


Read more at: “Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

“Sound Fragments: Collaborative Curation with The Black Power Station” (Professor Noel Lobley, University of Virginia)

Wednesday, 8 May, 2024 - 17:00

What happens when colonial sound fragments are transformed through Afrofuturistic sampling, roaring praise poetry, and the visual arts? What stories and pathways link the International Library of African Music—the world's largest archive of ethnographic music in Africa—and The Black Power Station, an independent arts...


Read more at: “The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

“The Copyist[‘s] Processes” (Professor Rebekah Ahrendt, Utrecht University)

Wednesday, 1 May, 2024 - 17:00

“My dear and well-beloved son, William Babell,” wrote bassoonist-copyist-arranger Charles Babel (d. 1716) in his will. The two must have been close: Charles trained William in the arts of performance from a young age; the two played together in major London orchestras; and together they formed part of London’s finest band...


Read more at: Verklärte Nacht, Op. 4: Depictive Text-Painting and the Birth of the “Musical Idea” - Jack Boss (University of Oregon)

Verklärte Nacht, Op. 4: Depictive Text-Painting and the Birth of the “Musical Idea” - Jack Boss (University of Oregon)

Wednesday, 6 March, 2024 - 17:00

Abstract: There has been disagreement among music scholars as to whether Schoenberg’s string sextet, Verklärte Nacht , tips the balance toward program music or absolute music. Some argue for a line-by-line correspondence with the Richard Dehmel poem that inspired the work, while others argue that Verklärte Nacht , as a...


Read more at: Chopin’s Suicidal Plan? Rethinking Failure in the Early Nineteenth-Century Non-Modulating Sonata Exposition - Anne Hyland (University of Manchester)

Chopin’s Suicidal Plan? Rethinking Failure in the Early Nineteenth-Century Non-Modulating Sonata Exposition - Anne Hyland (University of Manchester)

Wednesday, 28 February, 2024 - 17:00

Abstract Scholarly tradition reveals a preference for reading the monotonal expositions of Chopin’s early sonatas (Opp. 4, 8 and 11) as unsuccessful attempts at a more normative dual-tonal structure owing to their lack of establishment of an expected secondary key. Writing on the Op. 11 Piano Concerto, Donald Francis Tovey...


Read more at: Unveiling Sounds: Music and Commemoration in Weimar (1849–1859) - Michele Calella (University of Vienna)

Unveiling Sounds: Music and Commemoration in Weimar (1849–1859) - Michele Calella (University of Vienna)

Wednesday, 21 February, 2024 - 17:00

Abstract: When Franz Liszt took up the post of Kapellmeister of the Grand Duke of Saxe-Weimar-Eisenach in 1848, Weimar had just entered a new phase of its cultural history. The writers who had contributed to its reputation as the 'New Athens' - notably Goethe, Schiller and Herder - were increasingly stylised as the...