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Faculty of Music

 
Read more at: Humanist Connotations and Musical Rhetoric in Qigang Chen’s Choral-Orchestral Work Jiang Tcheng Tse - Sun Yue (Shanghai Conservatory of Music)

Humanist Connotations and Musical Rhetoric in Qigang Chen’s Choral-Orchestral Work Jiang Tcheng Tse - Sun Yue (Shanghai Conservatory of Music)

Wednesday, 14 February, 2024 - 17:00

Abstract: Jiang Tcheng Tse , a choral-orchestral work composed by Qigang Chen in 2017, is based on Su Shi’s ( 蘇軾 , 1037-1101) mourning poem Jiang Cheng Zi: Yi Mao Zheng Yue Er Shi Ri Jimeng ( 江城子 · 乙卯正月二十日夜記夢 a riverside town: dreaming of my deceased wife on the 20 th night of the 1 st lunar month. After its world premiere...


Read more at: Opera Down the Line - Flora Willson (King's College London)

Opera Down the Line - Flora Willson (King's College London)

Wednesday, 7 February, 2024 - 17:00

Abstract: This is a talk about cultural connectedness in the 1890s. More than a century before what media scholar José van Dijck identifies as our own “culture of connectivity”, urban life in the West was closely entangled with infrastructural networks: of transit, media and communication. Those networks characterise “...


Read more at: Listening to Early Modern Travel Writing - Emilie K.M. Murphy (University of York)

Listening to Early Modern Travel Writing - Emilie K.M. Murphy (University of York)

Wednesday, 31 January, 2024 - 17:00

Abstract: This talk introduces the short monograph I am working on: Listening to Travel Writing: Sound, Bodies and Samuel Purchas' His Pilgrimes . Its central argument is that the epistemic value of hearing (both real and imagined) was vital to early modern travel literature. It builds on the recent work of musicologists...


Read more at: Plenisentient Musicking - Bettina Varwig (University of Cambridge)

Plenisentient Musicking - Bettina Varwig (University of Cambridge)

Wednesday, 24 January, 2024 - 17:00

Abstract: In this colloquium, I will discuss some of my recent research on early modern modes of music making. In particular, I will propose the idea of plenisentience as a basis for understanding these past musical experiences. Plenisentience posits a model of being-in-the-world in which human sense-making takes place in...


Read more at: Arthur Honegger’s ‘Modernized Eroica’: Dissolving Liberal Selfhood in Berlin 1933 - Dr Emily MacGregor (King’s College London)

Arthur Honegger’s ‘Modernized Eroica’: Dissolving Liberal Selfhood in Berlin 1933 - Dr Emily MacGregor (King’s College London)

Wednesday, 29 November, 2023 - 17:00

Arthur Honegger’s Mouvement Symphonique nr. 3, the third in a trio of symphonic movements that began with Pacific 231 and Rugby —and the only one without a juicy programmatic title—was a commission for the Berlin Philharmonic’s 50 th anniversary celebrations. It premiered in Berlin in March 1933, just days after the...


Read more at: The Scattered Court: Hindustani Music in Colonial Bengal - Dr Richard David Williams (SOAS, University of London)

The Scattered Court: Hindustani Music in Colonial Bengal - Dr Richard David Williams (SOAS, University of London)

Wednesday, 22 November, 2023 - 17:00

How did Hindustani art music respond to the political transition from the Mughal empire to British colonialism? In this lecture, I will introduce my recent book which examines musical society and culture in nineteenth-century India. The book charts the movements of musicians and dancers, and the transregional circulation...


Read more at: “Enhanced by Conscious Selection”: Eugenics, Scientific Management, and the Quest to Make a Better Musician - Alexander Cowan (Jesus College, Cambridge)

“Enhanced by Conscious Selection”: Eugenics, Scientific Management, and the Quest to Make a Better Musician - Alexander Cowan (Jesus College, Cambridge)

Wednesday, 15 November, 2023 - 17:00

Analysis of writing by eugenicists in Britain and the USA from 1869 to 1945 reveals an unlikely preoccupation with musical ability. Following discipline founder Francis Galton, eugenicists believed musical talent to be a particularly obvious example of an inherited gift, and, therefore, proof that other qualities, such as...


Read more at: Social and Emotional Wellbeing in an Australian Choir of People with Disabilities - Professor Fiona Magowan (Queen’s University Belfast)

Social and Emotional Wellbeing in an Australian Choir of People with Disabilities - Professor Fiona Magowan (Queen’s University Belfast)

Wednesday, 8 November, 2023 - 17:00

This paper analyses some of the social and emotional impacts of community singing and active participation in a choir of people with disabilities in Brisbane, Australia. The article begins by outlining the approach to the history of the group before moving on to consider the effects of singing together. It frames this...


Read more at: Conception and Perception, Structure and Form: Thoughts on the Representation of Animal Song - Professor Holly Watkins (Eastman School of Music, University of Rochester)

Conception and Perception, Structure and Form: Thoughts on the Representation of Animal Song - Professor Holly Watkins (Eastman School of Music, University of Rochester)

Wednesday, 1 November, 2023 - 17:00

Over the past few decades, spectrograms have become a powerful tool for representing and analyzing animal vocalizations. In the case of birdsong, spectrograms have joined a number of techniques historically used to represent the sounds of birds, including translation into linguistic syllables and musical notation. As with...


Read more at: Cambridge Handel Opera Company

Cambridge Handel Opera Company

Wednesday, 25 October, 2023 - 17:00

Following the success of its performance and CD of John Eccles’ Semele , Cambridge Handel Opera Company continues its alternation of Handel opera production with English music drama, composed in the decade before Handel’s arrival in England, that deserves to be better known. Between The Way of the World and his libretto...