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Faculty of Music

 
07Nov

Title: Stepping Into The Sound: approaches to multichannel composition

01Nov

Over the past few decades, spectrograms have become a powerful tool for representing and analyzing animal vocalizations.  In the case of birdsong, spectrograms have joined a number of techniques historically used to represent the sounds of birds, including translation into linguistic syllables and musical nota

31Oct

Andrew Knight-Hill

Title

Art of Sound: Creativity in Film Sound and Electroacoustic Music

25Oct

Following the success of its performance and CD of John Eccles’ Semele, Cambridge Handel Opera Company continues its alternation of Handel opera production with English music drama, composed in the decade before Handel’s arrival in England, that deserves to be better known.

24Oct

Paolo Furlani graduated in Clarinet, Choral Music, Wind Band Orchestration and Composition from the Venice Conservatory.

18Oct

The music of Fanny Hensel is currently enjoying a strong revival, both in terms of public performance and in scholarly inquiry.  Alongside this surge of interest has come a growing awareness of the problems, challenges, and obstacles faced not only by Hensel but by her music.  And these challenges are not just histo

17Oct

Michael Calnan, Roseanna Dunn, Morga Overton, Georgia Barnes

 

11Oct

Peter McMurray is an Associate Professor in the Faculty of Music.

10Oct

Edward Dimsdale / Professor of Art & Contemporary Visual Culture / Head of the Graduate School, Cambridge School of Visual & Performing Arts (CSVPA)

14Aug